Ganjifa cards of Mysore represent one of India’s most refined and historically rich traditional card art forms. More than a recreational object, Ganjifa cards reflect royal patronage, artistic excellence, and cultural storytelling. These hand-painted circular playing cards are deeply rooted in Indian history and are closely associated with the courts of Mughal emperors and later the Wodeyar kings of Mysore.
Unlike modern playing cards, Ganjifa cards are unique in form, symbolism, and craftsmanship. Every card is painted by hand, making each deck a collectible piece of heritage art.

The word Ganjifa is derived from the Persian word “Ganj”, meaning treasure or treasury. Historians believe that Ganjifa originated in Persia and was introduced to India during the early medieval period. The card game gained immense popularity during the 16th century, especially under the Mughal emperors.
Mughal Ganjifa decks were elaborate and luxurious. They often contained 96 cards divided into 8 suits, with inscriptions in Arabic or Urdu. These cards were primarily used by royalty and nobility.
As Mughal influence spread across India, Ganjifa cards evolved regionally. Indian rulers adapted the game to suit local administration systems, mythology, and artistic traditions.
One of the most significant adaptations occurred under King Khem Sawant Bhonsle III, the ruler of Sawantwadi (present-day Maharashtra). He learned about Ganjifa from scholars of the Telangana region and introduced a structured system reflecting state governance.
In this system:
Each department of administration was represented by a suit
Cards were numbered from 1 to 10
Decks retained 96 cards
Colours such as black, red, green, and chocolate brown were used
The Ganjifa cards of Mysore flourished under the patronage of the Wodeyar dynasty of Karnataka. Mysore became a major center where Ganjifa transformed from a game into a sacred and artistic expression.
Mysore Ganjifa decks often depicted:
Dashavatara (Ten Avatars of Vishnu)
Episodes from the Ramayana and Mahabharata
Hindu deities and cosmic symbolism
Unlike Mughal Ganjifa, which focused on courtly themes, Mysore Ganjifa emphasized spiritual narratives, making the cards both educational and devotional.

Historically, materials used in Ganjifa cards depended on social class:
Royal decks: Ivory, tortoise shell, mother-of-pearl
Common decks: Palm leaf, cloth, papier-mâché
In Mysore, artisans perfected the use of cloth-based and papier-mâché cards, layered and polished to achieve durability.
Natural pigments were used, prepared from:
Minerals
Vegetables
Plant extracts
These eco-friendly materials ensured longevity and vibrant colors.
The making of Ganjifa cards of Mysore is a labor-intensive process:
Base Preparation: Layers of cloth are pasted and sun-dried
Circular Cutting: Cards are cut into perfect circles
Smoothing: Surfaces are polished using stones or shells
Hand Painting: Detailed miniature paintings are created
Natural Coating: Lac or resin applied for protection
Each deck may take several weeks to complete, requiring precision and artistic mastery.
Traditionally, Ganjifa was played during:
Festivals
Family gatherings
Community celebrations
It was not just entertainment but a social bonding activity where elders passed stories, morals, and traditions to younger generations.
In Mysore, playing Ganjifa was often linked with religious observance, especially when Dashavatara-themed decks were used.
A major milestone for this craft was its recognition under the Geographical Indications of Goods (Registration and Protection) Act, 1999.
| Particular | Details |
|---|---|
| Name of GI Registered Product | Ganjifa cards of Mysore (Karnataka) |
| State | Karnataka |
| Certificate Date | 28/03/2008 |
| Applicant Name & Address | Development Commissioner (Handicrafts), Ministry of Textiles, Government of India, West Block No.7, R.K. Puram, New Delhi, India |
GI registration legally protects the authenticity of Ganjifa cards of Mysore and prevents misuse of the name by mass-produced imitations.
Today, Ganjifa cards of Mysore are promoted through:
Museums and exhibitions
Craft fairs
Online heritage platforms
Cultural workshops
Design schools and NGOs are collaborating with artisans to document techniques and ensure transmission of skills to future generations.
Ganjifa cards of Mysore are not merely playing cards. They are visual manuscripts, carrying stories of kings, gods, administration, and social harmony. Their survival reflects India’s commitment to preserving intangible cultural heritage through law, art, and community support.
Explore more handmade collections here: for gifting, home decor, and more.
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