Chamba Rumal is a rare and refined pictorial embroidery tradition that originated and flourished in the Chamba Valley of Himachal Pradesh during the 17th and 18th centuries. More than a textile, it is a visual storytelling art form that beautifully blends painting and embroidery. Over centuries, Chamba Rumal has become a symbol of artistic excellence, cultural identity, and skilled craftsmanship.
This unique embroidery tradition reflects the deep artistic sensibilities of the region and continues to attract historians, art lovers, and collectors from across the world.

The history of Chamba Rumal dates back to the period when the Chamba kingdom was under the patronage of Rajput rulers. During this time, miniature painting traditions of the Pahari school strongly influenced textile arts. Court painters first sketched intricate narrative scenes on fabric, which were later embroidered by skilled women artisans.
These rumals were often created for:
Royal households
Religious offerings
Ceremonial gifts
Wedding trousseaus
The themes depicted included episodes from Ramayana, Mahabharata, Bhagavata Purana, and scenes of Ras Lila, weddings, hunting, and court life.

Chamba Rumal embroidery is done on hand-spun khaddar cloth or fine muslin fabric, traditionally prepared in a square format. The softness and strength of the fabric allow detailed embroidery without damaging the surface.
Small handkerchief-sized rumals
Medium towel-sized pieces
Large bed spreads and wall hangings
The size depends on the purpose and complexity of the design.
One of the most distinctive features of Chamba Rumal is its Do-Rukha technique.
A double satin stitch worked forward and backward alternately
Executed simultaneously on both sides of the cloth
Ensures that both sides look identical in design and finish
This technique requires exceptional precision and skill, as mistakes are visible on both faces of the fabric.
The satin stitch is ideal for:
Large continuous patterns
Smooth surface coverage
Maintaining fabric softness without stress
Color selection plays a vital role in the beauty of Chamba Rumal. No rumal is ever embroidered using a single color.
Bright pink
Lemon yellow
Purple
Green
Ochre
Dark green
Blue
Pale and muted shades
These color combinations enhance the pictorial quality and give the embroidery a painting-like appearance.
Chamba Rumal is often described as “needle painting” due to its detailed narrative compositions.
Hindu mythological stories
Deities and divine figures
Floral borders and creepers
Animals and birds
Royal processions and festive scenes
The outlines are delicate, and the filled embroidery maintains clarity, balance, and symmetry.
Below is the official data box, included exactly as required:
| Details | Information |
|---|---|
| Name of GI Registered Product | Chamba Rumal |
| State(s) | Himachal Pradesh |
| Certificate Date | 09/09/2008 |
| Applicant Name & Address | Himachal Pradesh Patent Information Centre, State Council for Science, Technology & Environment, B-34, SDA Complex, Kasumpti, Shimla – 171009 |
Today, Chamba Rumal is admired not only as a textile but also as a collectible art form. Museums, art galleries, and private collectors preserve antique pieces, while contemporary artisans continue the tradition with revived designs.
Modern adaptations include:
Framed wall art
Cushion covers
Decorative panels
However, the traditional technique and storytelling essence remain unchanged.
Chamba Rumal continues to appeal because of:
Exceptional hand embroidery skill
Reversible Do-Rukha technique
Rich storytelling tradition
Strong historical and cultural roots
It stands as a reminder of India’s sophisticated textile heritage.
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